Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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ROSSELLI, Cosimo
The Virgin and Child Enthroned with Angels Making Music

ID: 42890

ROSSELLI, Cosimo The Virgin and Child Enthroned with Angels Making Music
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ROSSELLI, Cosimo The Virgin and Child Enthroned with Angels Making Music


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ROSSELLI, Cosimo

Italian Early Renaissance Painter, 1439-1507 Painter. He was documented in Neri di Bicci's workshop between May 1453 and October 1456; in 1459 he received his first known commission, for an altarpiece in Santa Tr?nita, Florence (untraced). It is thought that he subsequently worked with Benozzo Gozzoli, whose influence is evident in his early work, but Cosimo was receptive to the styles of almost all his more gifted contemporaries, including Alesso Baldovinetti (said by Baldinucci to have been his master), Andrea del Verrocchio and the Pollaiuolo brothers. Cosimo's first surviving works of importance are the frescoes in the style of Baldovinetti in the Salutati Chapel, Fiesole Cathedral, datable to between 1462 and 1466, but these are heavily restored.   Related Paintings of ROSSELLI, Cosimo :. | Le Divertissement du marabout huile sur toile (mk32) | Old Man with a Crutch | The Emperor's Toll set | Tanaquil gffn | Portrait of Pope Pius VII |
Related Artists:
Ernst Oppler
1867, Hannover - 1929, Berlin, a Jewish German painter and etcher; elder brother of Alexander.
Adriaen de Gryef
Belgium (1670-1715 ) - Painter
Max Joseph Wagenbauer
Maximilian Joseph Wagenbauer (1775 Grafing - 1829 Munich), was a Bavarian artist. After finishing school, Wagenbauer attended drawing classes in Munich, under Johann Jakob Dorner the Elder (1741-1813). At the turn of the 19th century he was producing mostly Neo-Classical watercolour landscapes. He served in the military from 1797 to 1801, receiving a royal artist's annuity after his service through the influence of Johann Christian von Mannlich (1741-1822), architect and general building director of the dukes of Zweibre-ken. A condition of the royal stipend was that he produce paintings. He was appointed artist to the court and cabinet in 1802 and Inspector of the Royal Paintings Gallery in 1815. Wagenbauer focused increasingly on oil painting after 1810 and enjoyed the patronage of Maximilian I Joseph of Bavaria, who in 1811 commissioned him, Cantius Dillis (1779-1856) and Johann Jakob Dorner the Younger (1775-1852) to decorate the banquet hall at Schloss Nymphenburg with large paintings of Bavarian lakes.






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